Is Using A Mac Microphone Obsololete In Garageband

When using GarageBand in iLife ’11 you can connect any type of mono or stereo audio source. Most Mac models offer a line-in connection that accepts a cable with a 1/8-inch stereo mini-plug, which is common in many music-lover households. Thanks to GarageBand in iLife ’11 you can connect audio sources such as a CD or DVD player, an electric instrument, an electric guitar, a mono microphone or even a stereo set of microphones.

Here’s how the connections work:

Apr 06, 2017  How to Connect a Usb Microphone to Garageband First Plug the Usb Mic to your device Usb Cord then open the Garageband a new window will be open and there click the Empty Project, there will be also opened a popup window and choose there the Microphone Icon and hit. Use iphone or android as external mic for macbook using bluetooth. Ask Question Asked 4 years, 10 months ago. If you have GarageBand, you could use the jam sessions. Now any audio from your phone will be sent to your Mac. To use it as a microphone you now need to use an app that lets you feed back your mic. Jan 27, 2018 3 Ways to Connect Your Guitar To GarageBand (Mac) - Duration: 9:42. TheGarageBandGuide 184,610 views.

• For home stereo gear, all you need to do is find a line-out connection on your stereo system (for line-level output) and connect to it a cable that uses RCA-type left and right (typically marked white and red) stereo plugs or a stereo mini-plug. If you use RCA-type plugs, use an RCA-to-stereo-mini-plug converter or a cable that offers a stereo mini-plug on the other end.

• For electric instruments such as guitars and microphones, you can use a phono-to-mini-plug converter such as the Monster Instrument Adapter. It’s a short cable that has a mono 1/4-inch phono connection on one end and a 1/8-inch mini-plug on the other end to connect to your Mac’s line-in connection.

  However, the sound quality isn’t at its highest level — an electric guitar or microphone produces a low input signal, resulting in low volume when you record. You want a line-level source of audio — either line-level output from your instrument, your microphone, your amplifier, preamp or via an audio interface.

If your Mac doesn’t offer a line-in connection, you can purchase a USB audio input device, such as the Griffin iMic or the Roland UA-30, and use it with the Mac’s USB connection.

The Mac’s internal microphone can also be useful, especially when recording sound effects or ambient sound on the road with a laptop.

After connecting your gear, you need to assign sound input to your Mac’s line-in connection. If you’re using the internal microphone, make sure the sound input is assigned to it.

Amp Designer provides seven virtual microphone types. After choosing a cabinet, you can set the type of microphone to emulate and place the microphone, relative to the cabinet.

The Mic pop-up menu is near the right end of the black bar. The microphone placement graphic appears when you move your pointer in the area above the Mic pop-up menu.

By default, the microphone is placed in the center of the speaker cone (called on-axis). This placement produces a fuller, more powerful sound, suitable for blues or jazz guitar tones. If you place the microphone on the rim of the speaker (called off-axis), you obtain a brighter, thinner tone, making it suitable for cutting rock or R&B guitar parts. Moving the microphone closer to the speaker increases bass response.

Choose a microphone

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• Mic pop-up menu: Choose a microphone model from the Mic pop-up menu, located below the cabinet graphic.

  • Condenser models: Emulate the sound of high-end studio condenser microphones. The sound of condenser microphones is fine, transparent, and well balanced. Choose from Condenser 87 and Condenser 414.

  • Dynamic models: Emulate the sound of popular dynamic cardioid microphones. Dynamic microphones sound brighter and more cutting than Condenser models. The mid-range is boosted, with softer lower-mid frequencies, making dynamic microphones a good choice for rock guitar tones, and useful if you want guitars to cut through other tracks in a mix. Choose from Dynamic 20, Dynamic 57, Dynamic 421, and Dynamic 609.

  • Ribbon 121: Emulates the sound of a ribbon microphone, a type of dynamic microphone that captures a sound often described as bright or brittle, yet still warm. It’s useful for rock, crunch, and clean tones.

  Tip: Combining multiple microphone types can produce an interesting sound. Duplicate the guitar track and insert Amp Designer on both tracks. Select different microphones in each Amp Designer instance while retaining identical settings for all other settings, then set track levels.

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Set the microphone placement

1. Move the pointer over the area below the cabinet graphic to show the microphone placement grid.

2. Drag the dot to change the microphone position and distance from the cabinet.